www.tank.tv
Ken Jacobs
Curated by Mark Webber
1st October - 30th November 2008

Ken Jacobs (b.1933) has been active as a filmmaker, performer and teacher for the past five decades. Rigorous and dedicated, his work is characterised by a keen eye for formal composition and a fierce political consciousness.

The Whole World, Curated by Ian White
Sunday 21 September 2008, 17.00

Online 'The Whole World' is an ongoing open archive to which anyone can contribute - an uncensored list of lists inaugurated by considering it as a formal and political device. Originally selected and submitted works are reorganized and augmented into this single programme including works by Claude Chuzel, Hollis Frampton, Dalia Neis, Uriel Orlow, Michael Robinson and Valerie Tevere.

Tickets are available now from Tate Modern's Box Office.

For more information visit www.tank.tv.

She doesn't think so but she's dressed for the h-bomb, curated by Negar Azimi.
Sunday 21 September 2008, 15.00

'She doesn’t think so but she’s dressed for the h-bomb' explores the weight of diverse histories in defining the current moment - whether manifest in the form of national myth, ritual, architecture or pop culture. Works by: Ziad Antar, Shahryrar Nashat, Rosalind Nashashibi, Yael Bartana, Iman Issa, Hassan Khan, The Atlas Group, Ahmet Ogut and Haris Epaminonda.

Tickets are available from the Tate Modern Box Office.

For more information go to www.tank.tv.

The Young and Evil, Curated by Stuart Comer.
Saturday 20 September 2008, 19.00

Reconsidering the historical contours and shifting relationships of sex and community in the digital age, a range of artists has been invited to select two works: one contemporary video shown to be shown online, and one historical film to be screened in the cinema. Selectors include AA Bronson, Drew Daniel, William E Jones, Daria Martin, Carlos Motta, Henrik Olesen, Karol Radziszewski, Emily Roysdon, Bruce Yonemoto and Akram Zaatari.

Tickets are available now through the Tate Modern Box Office.

Ken Jacobs, Return to the Scene of the Crime.
Friday 19 September 2008, 19.00

In a contemporary riff on one of his landmark works, the influential experimental filmmaker Ken Jacobs uses new technology to both interrogate and arouse a theatrical tableau, shot in 1905, based on Hogarth's Southwark Fair. The antique film print is probed, exploded and reconstituted in the digital domain with radical ingenuity and infectious wit. This extraordinary new work teaches us how to see. Screening curated by Mark Webber.

Tickets now available through the Tate Modern Box Office.